Researching a book is, as any author will tell you far more enjoyable than the actual writing of it. You can go off on all kinds of tangents and find out fascinating facts that may or most likely may never appear in your book. There is also the opportunity for self indulgence and I have loved the chance to enage in a little reminisience of nurse training days.
In pursuit of insight
and knowledge for Rituals and Myths in
Nursing I recently visited two very different nursing museums at two prestigious
London Hospitals. St Thomas’ Hospital’s Nightingale Museum gives you all the low down on
Florence – some 3000 artefacts relating not just to her work in the Crimea and
her drive to establish nursing as a respectable profession in the UK but also
to her family and childhood. The museum opened in 1989 on the site of the
original Nightingale Training School and, thanks to the diligence of matrons and
others over the years much memorabilia has been saved for our interest and
enjoyment now.
For me, the
most fascinating Florence fact I learnt is just what an amazing architect/statistician
Florence was. Never mind the nursing rules and regulations she set out in Notes on Nursing: What
it is and what it is not.
From her detailed scaled drawings of what was to become St Thomas’s hospital, down to the exact distance each bed on a ward should be from other for
optimum health are something that should be heralded as truly ahead of her
time.
St Bartholomew's Hospital Square |
On the north side
of the Thames overlooking the beautifully restored 18th century square
designed by James Gibbs at the Royal and Ancient Hospital of St Bartholomew is
the Bart’s museum . Small but packed with medical and
nursing artefacts, the Bart’s museum is more intimate than the more
sophisticated Nightingale museum offering less about the broader history of nursing but imbued with the very essence of what it is
to have been a part of the hospital at any time in its history. It is not just
my personal allegiance to the hospital – once a Bart’s nurse always a Bart’s
nurse – but there is a warmth to the exhibition that is welcoming and friendly.
St Bartholomew's the Less |
Visiting a museum that is at the very heart of the hospital gives the visitor an opportunity to see other things. Top amongst
the Bart’s exhibits are the two magnificent William Hogarth paintings which
hang on the staircase to the Great Hall and can be spied from the museum. But for me it is the tiny chapel of St Bartholomews's the Less that is just a few steps from the muesum, with its stained glass window commenorating the work of nurses during the second world war that is particularly special.
Inside the museum I rather like the intriguing notes and records of
weird and wonderful operations, photographs and records of stern looking matrons – Miss
Gordon Fenwick (later Mrs Bedford Fenwick) who successfully fought for nurse
registration for instance - and mutton chop whiskered surgeons with grand names
recognisable from the wards once named after them: Percival Pott, William
Harvey, Thomas Vicary. It is also rather strange to realise that history can
feel very recent. A friend of mine was startled to see a replica of the uniform
she wore in the 1970s at St Thomas’s showcased as a historical artefact!
As we grow
older, history comes into focus. We want to put a marker down for where we were
in the passage of time recognising that some of what we see even in our
lifetimes future generations will consider remarkable. Medical advancement over
the last century has been phenomenal and while ritual and myth still exist in
nursing, there is less that is ritualistic as the work is ever more evidence
based and the role highly technical.
Nurses are
still required to be all things to all patients but their level of technical
expertise is greater than a generation ago. A requirement that has largely gone
unrecognised by the public, the politicians and perhaps by some of the
profession itself. The custom and practice of nursing is certainly changing.
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